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Springpear

Price range: $360.00 through $2,100.00

60 x 1.5cm
x 40cm

2h 23m

This is a continuation from my ‘Springhood’ artwork where I created a pear that’s a spring shape but also melts like icing. This time I wanted it to be the centrepiece and make it conceptual. While I created it I decided that it was such an interesting shape I wanted to hide it behind a bird. Playing with the idea that a bird really would get in the way of a view in real like, especially cockatoos, and adding to the mystery of what’s behind the bird.

Car Slinky

Price range: $360.00 through $2,100.00

30 x 1.5cm
x 30cm

6h 5m

While colouring in the ‘Car Lessons’ page in the Paintings 2022 edition of my colouring in book series I decided to create a digital artwork where I showed a car unravelling like it does in the artwork that’s shown the colouring in book. 

The artwork didn’t go to plan after executing the car slinky so I changed the scene to include an ice cream statue with a ladder on it. After that I wanted to include more so it felt busy. Less staged.

Going in Blind

$400.00

26 x 3cm
x 40cm

1h 49m

This is the second last painting of my 80 artworks project, I aimed to paint something simple since I was low on time but it also fit into the concept very well and ended up being one of my favourites from the lot. Before creating the artwork I looked at my website and came across a painting I almost forgot about ‘Obedience’, a painting with a dusk purple sky and bees buzzing around in bubbles. I wanted to create something similar. The concept was influenced by my project and how my life is so different to other people (it’s part of my job to stop everything and intensely create art for 11 weeks straight), they’re too busy doing the “This is what’s expected of me” to stop and wonder if they’re blindly flying through life in the bubble caught in the wind. Do you genuinely control the direction your life is going?

I also wanted to channel the style of my digital artworks, a challenge I’ve been working on as I find it difficult to have the two genre’s overlap. I believe this artwork really did a good job with that. My digital artworks have moon balloons in them, the moon also represents your emotions in astrology so I definitely put a moon in there. This artwork is one of my hand-stretched ones, sold with hooks ready to hang and a certificate of authenticity.

Infamy's Profit Margin

$600.00

45 x 1.7cm
x 60cm

13h 18m

This artwork is a thought chain reaction when watching the ‘Estranged’ Guns N’ Roses music video. I noticed Axl Rose is wearing a Manson top, then I looked at the timeline of Manson’s peak infamy, the music video date and so on. Manson also had an interest in music and on ‘The Spaghetti Incident’ GN’R made a cover. They copped criticism for this revolving around the topics of how could Axl Rose wear the Manson top, then on top of that do a cover, the critics believed it’s making Mansons crimes look like an inviting thing to do, if very talented rock stars then wear your face. I don’t really see it that way, the Manson face logo is aesthetically pleasing and as someone who’s been a designer in the past, it’s clear that Axl Rose didn’t commission the top, it already existed. The song also already existed and GN’R is known to do covers in general. Then I continued that train of thought, since the design already existed then someone was already profiting off Manson’s crimes… without the criticism. I continued to think and came to the conclusion that the moment a crime is committed, someone who isn’t the criminal begins to profit, starting with the government agent that responds to the crime, then the next of kin if there’s any assets, then the journalists that choose to report on it, then the news outlets, the channels that news outlets pay to have advertising on, the assistant that gets some CEO’s coffee and all the way down to the people dabbling in LawTube. When you dive this far into the rabbit hole, how does it make sense to vilify a rock band? Everyones guilty. The artwork shows Manson’s logo made of spaghetti, referencing ‘The Spaghetti Incident’, and hands eating from it… since everyones taking a bite. When the artwork sells, I’ll grab my slice of the spaghetti pie and add to the list of horrible people profiting off Manson’s crimes. This artwork was one of my 80 artworks project and a little rushed. This artwork is one of my hand-stretched ones, sold with hooks ready to hang and a certificate of authenticity.

Lollicars

Price range: $360.00 through $2,100.00

30 x 1.5cm
x 30cm

2h 44m

Turning a photo into jelly is a challenge, it’s something I wanted to try now that I’ve polished off a few angles of my beetle photos. I don’t think I totally mastered it, although very good first try. They’re more like lollipops instead of jelly.

Food On My Mind

$450.00

46 x 1.7cm
x 35.5cm

19h 13m

I decided to paint this artwork after I discovered creamed honey. I have bees that visit my place everyday for honey and I opted in for creamed so I wouldn't have to fight with a bee to eat my pancakes. The bee's didn't recognise the creamed version and that solved my problem which had me wondering if food were a different consistency would we still enjoy it as much? I painted a pizza as soup and wine as jelly. I feel like I still have room for improvement in executing the realness of the artwork although this is where I'm at right now. This artwork is one of my hand-stretched ones, sold with hooks ready to hang and a certificate of authenticity.

Cloud Breakfast

Price range: $360.00 through $2,200.00

30 x 1.5cm
x 30cm

0h 0m

This is such a fun artwork and I always reflect on it thinking I really hit the mark with this one. If you want to colour it in, check out my original colouring in book to have a go yourself! The idea was executed as you see it, I wanted to make clouds on the menu so I photographed my tableware and practiced my fake clouds and lasers on it.

Smoking Cockatoo

Price range: $360.00 through $500.00

30 x 1.5cm
x 30cm

0h 0m

I find this artwork quite funny. In 2017 I went to Newport beach with a fiend and saw a cockatoo eating a chip above me. So I photographed it and turned it into a cigarette then reflected it, as if you’re in That 70’s Show. This bird makes a comeback in other artworks such as ‘Party Bird’.