Price range: $360.00 through $2,200.00
30 x 1.5cm
x 30cm
This is one of the final artworks of both my twenty-one artworks in twenty-one days which then turned into eight artworks in eight hours so this was a time crunch. I wanted to recreate the concepts of ‘Doughnut Town’ and ‘Ice cream Town’ but with a snake and while reflecting on my previous artworks I noticed I hadn’t actually used this snake in it’s original size that I made for the ‘Spring Hood’ digital artwork. So this is the final result of those ideas mashed together.
Price range: $360.00 through $2,200.00
30 x 1.5cm
x 30cm
This is one of my twenty-one artworks in twenty-one days. A while back I visited the Art Gallery of NSW and there was an artwork, photography, where an aboriginal man duplicated himself at Parliament which showed how things would look if white people didn’t run the town here. I liked it on all aspects and that’s where the idea to replicate the lemur came from. I also recently cleaned it up and wanted to use the photo.
Price range: $360.00 through $2,200.00
30 x 1.5cm
x 30cm
This is one of my twenty-one artworks in twenty-one days and I wanted to merge a few previous artworks, ‘Gold Thoughts’, ‘Figure Eight Pool’ and ‘Grabbing Art Supplies’. This is the final result.
Price range: $360.00 through $2,200.00
30 x 1.5cm
x 30cm
This is one of my artworks of my twenty artworks in twenty days that then turned into eight in eight hours. I looked over my older artworks, the really old ones and decided I wanted to recreate my elephant with the version it is now from years of minor tweaks. This is how it ended up.
Price range: $360.00 through $2,200.00
30 x 1.5cm
x 30cm
This is my second digital artwork using Affinity Photo and an attempt to live stream my dart making (which didn’t go as planned). Despite that the idea came from a previous artwork where I wanted to make zebra striped animals then ended up creating my Zeblephant.
My Bird Shit’s All Over Naomi's
40 x 1.7cm
x 30cm
This artwork is an appropriation of a 17th century Swedish leading artist David Klöcker Ehrenstrahl’s 1670 artwork ‘Negro with Parrots and Monkeys’. When I saw this artwork originally I really enjoyed the composition and expression used. However we live in a cancel culture where even in the most fitting situations we aren’t allowed to mention a growing vocabulary of words purely because someone else has repeatedly used them in a derogatory manner and therefore it’s assumed all uses of the word are derogatory. “The asian girl over there” for example, is now considered a racist comment instead of describing the person you’re referring to. I feel as if I’m not allowed to tell anyone about the original artwork, it’s now considered racist despite portraying the opposite of how we now associate the word, negro. By appropriating this artwork I’m giving the original artwork a new platform to be seen, we shouldn’t shun art history out of fear of using a word in the most appropriate context and being cancelled. I could have named it “I’m not allowed to title this artwork” but I don’t believe that would have reflected the original enough or even conveyed the point I’m making. I have two other appropriations and they’re each titled referencing the originals. I did think about just appropriating the artwork into my own style, surrealist and bold colours although after starting I changed my mind and tried to ring true to the thin and many layers artists of the time would have used. Putting censor bars and staying true to the style seemed more appropriate to my goal. The approach to thinly layering paint didn’t sit well with me and I ended up stopping this to paint a massive artwork in my own style. Toward the end of this artwork I ended up rage quitting because I felt like it took too long. Had I isolated more time in the first week of this artwork then I would have stayed interested in keeping it realistic. I wasn’t able to perfectly match the perspective. This artwork is one of my hand-stretched ones, sold with hooks ready to hang and a certificate of authenticity.
Price range: $360.00 through $2,200.00
30 x 1.5cm
x 30cm
I’ve joined the masses turning their backs on Adobe and this is my first digital artwork using Affinity Photo. This was mainly a learning curve and I’m not sure it’s my best concept but a good start to hopefully some great Affinity made artworks! I wanted to create an electric wall by using textures that I’d create in Photoshop like smudging and adjustment layer or placing a glow around it. I ended up making the vines glow and even created a much better lemur (in terms of fur) than I could have in Photoshop. The overall intention was to create a window where the clouds are actually doughnuts, so I tried to show that with some of them spanning across to the neighbouring window. I also added the albino giraffes referencing my painting, ‘The Game’, while the doughnuts reference my painting, ‘Cravings’.
41 x 1.7cm
x 41cm
Humans are a communal species. It’s a fact. In the past few years I’ve noticed the increasing hostility in the community, and I’m still figuring out whether it’s the times or whether that’s just what it’s like once you’ve settled into being an adult… The veil of everyone putting on a nice front being gone? Either way, I find it incredibly ironic. I look at nature a lot and see how they all work together. I was watching some birds that seemed to be on the same team but wouldn’t share the food I threw at them. One was just too dumb to recognise the extra piece it put down was exactly what it’s chasing the other bird for. It’s funny that they’re hopping around together but also protecting their bounty like Gollum and his ring. It’s like people but I think they’re trying to keep their pride instead of a piece of food. So I painted a bunch of jolly looking birds held together by barbed wire. The original plan was to have feet but it didn’t work out, so I mimicked my ‘Flock Party’ painting and included balloons too. The feathers fly about like they do in a bird fight and the intertwined barbed wire drips blood. This artwork is one of my hand-stretched ones, sold with hooks ready to hang and a certificate of authenticity.
Price range: $360.00 through $2,200.00
30 x 1.5cm
x 30cm
I’m in the mood to switch up my style just a little bit for a while. When I began manipulating photos they had a very realistic look as I didn’t change the background, I decided to return to that approach although with the idea in mind that I want to bring the cleaned up edited objects from my more recent artworks and merge the two styles. I’ve been looking around my place imagining the objects that have been in my digital artworks so that’s where this idea came from, I also really enjoy my ‘Astrology Cup’ artwork so I worked from there.
41 x 1.7cm
x 41.5cm
I was listening to ‘Another Brick in the Wall’ and wanted to paint a wall of birds that tesselate like bricks. It could just be my location, surely everyone in the world isn’t like this, but I never meet anyone following their dreams, everyones doing what they’re expected to do and I get an earful pretty often on why their job or day sucks. It’s become a novelty. From that thought I painted a wall of birds, and title it “Where are you?” I want people to see the title and answer the question, where are they? I answer it by saying I’m not there. Some people might decide they like one of the birds more than another and decide that’s where they fit in. This artwork is one of my hand-stretched ones, sold with hooks ready to hang and a certificate of authenticity.
Price range: $360.00 through $2,100.00
60 x 1.5cm
x 40cm
This is a continuation from my ‘Springhood’ artwork where I created a pear that’s a spring shape but also melts like icing. This time I wanted it to be the centrepiece and make it conceptual. While I created it I decided that it was such an interesting shape I wanted to hide it behind a bird. Playing with the idea that a bird really would get in the way of a view in real like, especially cockatoos, and adding to the mystery of what’s behind the bird.
Price range: $360.00 through $2,200.00
30 x 1.5cm
x 30cm
I decided to create this artwork as cockatoos sometimes visit me and genuinely watch me colour in… I like to think they know they’re in some of my artworks. I tend to have a coffee when colouring in (I have a colouring in book series you should check out) so this artwork is coffee with the birds. Something I’m not doing intentionally is when I’m given instructions I tend to take the instructions as is but give it a creative twist. So if you wanted me to give you an image of coffee with birds, this is what you get.
Price range: $360.00 through $2,200.00
30 x 1.5cm
x 30cm
Since creating my fluffy lego pieces I also wanted to merge that idea with a seperate idea to create a chessboard using the photos that I turned into statues for the artwork ‘Grabbing Art Supplies’. I came across a challenge in this artwork as with photo editing the angle of the photo is what you have to work with.
Price range: $360.00 through $2,100.00
30 x 1.5cm
x 30cm
This is a somewhat continuation on my ‘Doughnut Town’ and ‘Ice Cream Town’, although this time, since I’ve transformed my giraffe in so many ways I wanted them all exploding from my new giraffe statue as an artistic presentation of collection of work. If you check out the behind the scenes video you’ll see I almost used the alpaca although due to logistics had to ditch the idea. This turned out quite fitting.
29.5 x 3cm
x 20cm
This is an artwork I created in the final week of my 80 artworks and during the whole event I’d turned off my notifications, the radio and pretty much any outside world distractions. This was an enjoyable activity and when it ended I told people “I’ve resurfaced from the rabbit hole”. I had no clue what’s been going on in the real world. At the end when I made this I had a feeling I’d been living in a different world to everyone else. So here’s the rabbit hole, the rabbits never end. Had my resources continued I’d still be making a high velocity of art. This artwork is one of my hand-stretched ones, sold with hooks ready to hang and a certificate of authenticity.
Price range: $360.00 through $2,200.00
30 x 1.5cm
x 30cm
Before I created this I’d recently photographed a jar which I used in the previous artwork, ‘The Doughnut Jar’, and decided I’d love to see a jar filled with snakes. If you see the screen recording you’ll see I tried a few variations but ended up using a car as a lid as you see here. I also decided to include ideas from older artworks like ‘Stitching Ground’ to keep the lid on.
Price range: $360.00 through $2,200.00
30 x 1.5cm
x 30cm
This is a digital artwork I created during the beginning of my October challenge and really wanted to utilise my new jar photo and also the theme I’d recently been following with using tiny objects (since my computer’s now upgraded and can handle my ideas). I also saw an artwork from the MCA of a red room and wanted to create a glass outdoor room after seeing this. While creating this a client rang and asked how I think of these ideas, so that’s what I named it.
Price range: $360.00 through $2,100.00
30 x 1.5cm
x 30cm
This is an artwork I decided to create during the second round of my ‘October challenge’ and always wanted to re-create an older piece named ‘Candy Crossing’ as I’ve always liked how that one turned out. However I wanted to create a twist where I also include aspects from ‘Camoflage Partyraffant’ where the giraffe hides behind a wall. I ended up creating this and wanted to show a different world behind the wall.
Price range: $360.00 through $2,100.00
30 x 1.5cm
x 30cm
I began this artwork with an entirely different idea in mind where I aimed to create an ocean of birds, that didn’t work out and I ended up playing around until I made a line of birds being eating by a cloud and dispensed as a rainbow.
Price range: $360.00 through $2,200.00
30 x 1.5cm
x 30cm
After creating my recent digital artwork with cockatoos at the window (like the title) I wanted to take up the opportunity to use these new window’s I’ve created, this time with a more playful approach and show an animal outside although changing the animal as the windows spread across.
Price range: $360.00 through $2,200.00
30 x 1.5cm
x 30cm
This is an idea that came into mind when painting my painting, ‘Death of the Rock Piano’ where I looked at my digital artwork using a piano where I changed the colours and decided I should create another with zebra stripes, then since I already created a piece with a stripy giraffe I thought I’d include that and just turn it black and white. This didn’t look like zebra stripes so I ventured on to create stripes which resemble the actual pattern and this is the outcome.
25.5 x 3cm
x 91.5cm
I began this artwork with a different idea in mind, then by the time I’d finished creating my 2023 colouring in books I wasn’t passionate about the concept anymore so decided to ditch it. From there I began painting a pear as if it’s being dispensed and squished it’s predecessor, since I’m always making a point about consumerism that’s where I went. After a day I changed the layout and kept the idea although this time the pears drip out from a window and bounce over a more realistic rotten looking pear below. This artwork is one of my hand-stretched ones, sold with hooks ready to hang and a certificate of authenticity.
Price range: $360.00 through $2,200.00
30 x 1.5cm
x 30cm
This is an artwork I created during my October Challenge Pt 1 and I decided to create it after having seen an image with an arch door and decided I needed a serene artwork where birds sit perched watching.
91.5 x 3cm
x 25.5cm
The Journey’ is the prequel to this artwork (and they’re sold separately, maybe to reunite one day). The two artworks fit together like puzzle pieces when one is rotated 180º and placed above the other, see the timelapse video to see them together. The previous artwork shows a journey and depicted at night time, this one shows the other side of the journey, not necessarily after death but another side. I really enjoy Hieronymus Bosch’s artworks and having many events going on in his artworks and I aim to incorporate that in my artworks, these two being the target of that aim. In this artwork I aimed to have two marches heading over to the first painting and included the window far in the background as well as the bird porcelain print on the tree. The rest of the hidden gems are for the viewer to hunt down. This is part two. This artwork is one of my hand-stretched ones, sold with hooks ready to hang and a certificate of authenticity.
91.5 x 3cm
x 25cm
I really enjoy Hieronymus Bosch’s artworks, specifically how they his artworks encompass busy themes where Bosch packs in plenty of characters and ‘furniture’. A while back I noticed my artworks at the time had a centrepiece and that’s how I conveyed my idea. I’ve been working on creating busier visuals where the viewer will be drawn into the artwork thinking about each section and wonder away with that thought, creating a different experience. This artwork isn’t as busy as I originally aimed however when I reached this point I decided this is how it needs to be. On the left side I added more characters than the right as I want people to read the artwork like a book, left to right. I ended up naming it ‘The Journey’ because when I reached the end of the artwork whenever I looked at it I felt like it’s a journey, like your life journey. Nothing ever seems to go as planned and when you look back at it you end up with a bunch of mismatched and unexpected events that feel like home because it’s yours and you lived that. This is part one. This artwork is one of my hand-stretched ones, sold with hooks ready to hang and a certificate of authenticity.
182.5 x 3cm
x 121.5cm
In this artwork I play with psychology and gentrification. As I opened Saatchiart to upload one of my artworks another “artwork” caught my attention. This was priced at $20K+, so I clicked onto the artwork to see what majestic concept the “artist” aimed to channel. None. The listing literally said ‘décor’. I’m offended. So offended turned my offence into an artwork. ‘Simulation theory’ then kicks in and I happened to stumble across a massive canvas to repurpose for this concept. I decided to genuinely show off my talent in this piece although price it stupidly high on the online galleries and have no description, to give the impression it’s décor. I’m assuming the gallery will place it in a nice position since they’ll make a huge commission, I aim for the viewers to question the price. Leading them to see my other artworks and seeing a huge discrepancy. I wonder if the viewers will then look up my name and see this description on my own website to see I’m mocking the gentrification of décor artists and have a real description and appropriate price here (according to my level of fame). The game here is if someone ends up buying it direct, they win the game… If they go through a gallery without finding the true meaning of the artwork, I win the game. I risk being kicked off the online galleries with this artwork although that’s part of the statement I’m making. I tried painting this in 9 days although finished it in ten, because of the timeline I gave myself there’s definitely some tiny parts where I could have calculated the paint drying better so there are a few touch-ups which don’t reflect my aim to entirely show off my talent… The items in the artwork aren’t meant to have meaning however I definitely painted it with a story in mind, that’s just the way it worked out. This artwork is one of my hand-stretched ones, sold with hooks ready to hang and a certificate of authenticity.
Negro with Parrots and Monkeys Censored
51 x 3cm
x 51cm
This artwork is an appropriation of a 17th century Swedish leading artist David Klöcker Ehrenstrahl’s 1670 artwork ‘Negro with Parrots and Monkeys’. When I saw this artwork originally I really enjoyed the composition and expression used. However we live in a cancel culture where even in the most fitting situations we aren’t allowed to mention a growing vocabulary of words purely because someone else has repeatedly used them in a derogatory manner and therefore it’s assumed all uses of the word are derogatory. “The asian girl over there” for example, is now considered a racist comment instead of describing the person you’re referring to. I feel as if I’m not allowed to tell anyone about the original artwork, it’s now considered racist despite portraying the opposite of how we now associate the word, negro. By appropriating this artwork I’m giving the original artwork a new platform to be seen, we shouldn’t shun art history out of fear of using a word in the most appropriate context and being cancelled. I could have named it “I’m not allowed to title this artwork” but I don’t believe that would have reflected the original enough or even conveyed the point I’m making. I have two other appropriations and they’re each titled referencing the originals. I did think about just appropriating the artwork into my own style, surrealist and bold colours although after starting I changed my mind and tried to ring true to the thin and many layers artists of the time would have used. Putting censor bars and staying true to the style seemed more appropriate to my goal. The approach to thinly layering paint didn’t sit well with me and I ended up stopping this to paint a massive artwork in my own style. Toward the end of this artwork I ended up rage quitting because I felt like it took too long. Had I isolated more time in the first week of this artwork then I would have stayed interested in keeping it realistic. I wasn’t able to perfectly match the perspective. This artwork is one of my hand-stretched ones, sold with hooks ready to hang and a certificate of authenticity.
Price range: $360.00 through $2,100.00
30 x 1.5cm
x 30cm
This is a print of a photograph I took in 2018. This print comes in a few sizes and the largest is printed at 150dpi while the others are 300dpi (for those designers who want to know), rolled up and printed on top quality photo paper!
Price range: $360.00 through $2,100.00
30 x 1.5cm
x 30cm
This is a print of a photograph I took in 2018. This print comes in a few sizes and the largest is printed at 150dpi while the others are 300dpi (for those designers who want to know), rolled up and printed on top quality photo paper!
