60.5 x 1.5cm
x 45.5cm
Every now and then I learn about a new phenomenon named “x” paradox. This time It was the Abilene paradox which is very fitting for western culture in recent years. There are plenty of rules being made up and no one thinks they’re reasonable. For example, Australia is using AI to enforce seatbelt fines, to achieve a road toll of zero. However the AI doesn’t work and the road toll is increasing since these fresh forms of distributing fines, so it doesn’t work. However anyone could predict that more surveillance would make drivers poorer drivers. So the Abilene Paradox is when there’s a group who needs to make a decision, eat the apple or the orange for example, and the majority think that everyone else wants the apple so they vote apple but in reality they want the orange and didn’t voice it in an attempt to stick with the group and be accepted. To visualise this I first thought up painting some still life where one half is floating and a different colour, or geometry, like that Simpsons episode where Homer enters a 3D space in the wall and have triangles flying through the air. Instead I glanced over at my colouring in book 2023 edition cover and decided to also include another challenge where I try to paint giraffes similar to my digital artworks. It’s always a challenge and I think I completed it to a better standard this time. So this is the result, the group of giraffes are all on a sick one mixed up in their decisions and the bodies are still grounded, hollow. This artwork is one of my hand-stretched ones, sold with hooks ready to hang and a certificate of authenticity.
45 x 1.7cm
x 45cm
This is a challenge artwork that I left at my grandma’s. During a previous visit I’d painted my grandpa who’d passed away about 30 years ago today, for my grandma. However the tools I had at hand were tricky to use and it came out mediocre at best. Since then I’ve done quite a few art challenges like busking, art battles, 80 artworks in 79 days and so on so now I have a much better grip on creating artworks in situations that aren’t ideal and with terrible paint. This time I didn’t have my trusty water mixable oils which dry much faster than the denser oils and had to use thick oils. I ended up only having two weeks for this artwork after having found turpentine (which was impossible there!). The next challenge for this artwork was the brushes. I had about seven of the same size, one large and one tiny brush, so I made this artwork with just three brushes. Unfortunately it’s not for sale but it’s here to be apart of the collection of artworks I want to share with you.
51 x 1.5cm
x 40.5cm
A million years ago in science class it stuck with me that the teacher emphasised how everything melts with time. He specified that even glass melts, as the bottom will be wider than the top a hundred years from now. Super interesting fact! Makes me think of it every time I come across a video where someone hunts down fossils inside rocks, the imprint of the living thing is interesting as I imagine the process of the living thing became stone. So I began this artwork wanting to paint the ground, the dirt, blue to resemble water, and instead it just began to resemble water. Then I included rain the way I like to paint rain, as sheets of clear blue, and a melting/ evaporating moon. If you check out the time lapse or opinionated video of the making you’ll see that I added other items then decided less is more for this artwork. This artwork is one of my hand-stretched ones, sold with hooks ready to hang and a certificate of authenticity.
25.5 x 3cm
x 26cm
I decided to paint this artwork just because I want you, the person reading this right now, to know that during the Cold War the CIA decided to strap cameras on pigeons to spy. I found this hilarious and wanted you to know about it too. The main reason I found it hilarious is as an avid DIY-er I’ve had more than enough things turn out wobbly, and this is exactly how this project turned out, a bit wobbly. The footage wasn’t ideal. As a surrealist I needed to paint this artwork in a surreal manner, plus that’s far more interesting than just human-printing out a photo you can look up. I wanted them to appear a bit strange, the way you’d feel if one landed near you. As I you’re being watched. So I added a chromatic effect and leads to the hands that are watching you. I also wanted to embody the kind of background I’d create in my digital artworks, a clear reflection as if they’re on glass and tried to use green as the sky, like my ‘Surrealists and Psychology’ artwork. That was then tweaked slightly to become more natural looking. This artwork is one of my hand-stretched ones, sold with hooks ready to hang and a certificate of authenticity.
40 x 3cm
x 60cm
This artwork went through three lives, see the documentation of the making in either the opinionated or the timeless to see it unfold. I began wanting to paint the concept that the simulation theory is just modern platonism, but the layout was rushed. Then I decided to paint different forms of water as a skill challenge, but I wanted to do it in a day as part of twenty-one artworks in twenty-one days. I then wrapped up that project and attended a lecture where I believe confirmed my opinion that we’re in the depths of a world-wide Dunning-Kruger effect with AI. The lecturer seemed to have zero concept on how vibe coders are actually creating terrible code, Obama also seems to think AI code is exceptional for some reason. I doubt he’s tried, and if he did, I assure you he’s not skilled at coding. Both claims from world renowned, respected people with no professional claim in the fields they say AI is making progress in. I’ll make more artworks on the other idea’s spawned from this but this one shows the concept of how we’re mainly using AI wrong. A fantastic concept included a video game where the boss learns your moves and makes it harder for you to win, genuinely building your human skills instead of doing it for you. Yet we live in a world where we’re too cautious to let AI be the obstacle over the enabler. The dumb will become dumber and the intelligent will prosper further creating a huge gap in our species. The dumb are galloping, with AI. This artwork is one of my hand-stretched ones, sold with hooks ready to hang and a certificate of authenticity.
Wedding Portrait Practice 2 Acrylic Painting
57 x 0.5cm
x 36cm
I recently saw a TikTok video of what people considered a really shit wedding portrait. This is news to me that artists are hired for an extraordinary amount to paint live! I thought I’d kick ass at this and want to get in on it so I began busking to practice in front of people. If you watch the time-lapse on my time-lapse YouTube you’ll see I do the first two hours live, there’s a two hour limit on site. Since this is practice I’m just selling it cheap. It’s the second of the five and sold on site! Acrylic on cardboard and sold with a certificate of authenticity.
50 x 3cm
x 60cm
I watched a movie recently, it wasn’t very good and it were about a struggling writer but it sparked up an idea. Imagine if creative people ran the world? I don’t think I captured the idea in this artwork and instead painted a reflection one the work place. I once had a friend who studied marketing who said to me “One day I’ll be telling you what to do” implying her degree was better than mine. I guess she’s right about how the work place is structured however ask any designer (I’m an artist now) and they’ll tell you they’ve been instructed to execute some pretty terrible ideas. So this is working with the creative… They’re just doing it because, but really, what would you do if the creative just made the design better? There’s nothing you can physically do to change the design. This artwork is one of my hand-stretched ones, sold with hooks ready to hang and a certificate of authenticity.
40 x 1.7cm
x 50cm
A friend recently gifted me an artwork he found on the road so I put it in my pantry. One day when I stood there looking for food I reflected on the fact that I haven’t ever attempted to paint outer space. So I did and I wouldn’t call it challenging. I decided to add a space cadet. This artwork is one of my hand-stretched ones, sold with hooks ready to hang and a certificate of authenticity.
40 x 1.7cm
x 50cm
This is one of my twenty-one artworks in twenty-one days. I’m not proud of this one and I didn’t time manage well at all. But it’s here and ready for its new home. I’ll try again one day. The concept for this one was to make an artwork that tells a story, which I think it does do. The way ‘Hotel California’ or ‘Hazard’, or any of Bosch artwork’s tell stories, so I whipped out my tarot deck and decided to paint three cards. I rushed it so this is the result. I wanted to include three different clouds and areas as if the protagonist is either returning or venturing out and looking back. The story is up to you. This artwork is one of my hand-stretched ones, sold with hooks ready to hang and a certificate of authenticity.
40 x 1.7cm
x 50cm
While in uni we covered the topic of whether graffiti is art or criminal (spoiler, the law says any paint on any surface that you don’t own is crime) which lead to the lecturer stating that law needs crime, the police need the criminals to keep coming in order to exist. That thought, alongside recently dealing with insane people (check out my car sign being stolen video now on YT as an example) I experienced how difficult it is to have the justice system help you out when your issue is small, yet still invasive enough that in black and white you are entitled to the help. Rewarding bad behaviour I guess. So you end up stressed out dealing with an insane person and on top of that dealing with the stress of not having a problem entertaining enough for actual help and knowing there will be consequences if you stand up for yourself outside the justice system. So the cycle continues, you’re stuck between a rock and a hard place while the system primes you to join the insanity club hoping you’ll just defend yourself. I don’t think I expressed that idea well in this artwork so I’m thinking I’ll redo it, but here’s the first version. This is the system and the lollipop begins whole then melts and is pumped back up to build up the lollipop again. I added a cloud as the environment causing the loop but I definitely regret the lightning added. This artwork is one of my twenty-one artworks in twenty-one days and I ended up rushing it so it’s definitely not my peak performance. This artwork isn't one of my hand-stretched ones, sold with hooks ready to hang and a certificate of authenticity.
40 x 1.7cm
x 50cm
I was watching the Zuckerberg Joe Rogan interview and Zuckerberg is ‘Red pilling’ just a bit… Over the past year I’ve been watching conspiracy theories for art but the ones I’ve seen (most of them) have merit. However, you can’t explain that to someone who hasn’t given more than two seconds to any of these theories without being labelled a conspiracy theorist. It’s the same as giving a movie half the trailer. I found it important to watch different people discuss the same topic. So this is the red pill… Being labelled a conspiracy theorist. I put a laser for the pyramid plant theory, a wrap to represent muslims (soon to make an artwork about religions), a satellite for the propaganda, the document where Albanese tried to cancel the internet, a COVID clot and more. This artwork is one of my hand-stretched ones, sold with hooks ready to hang and a certificate of authenticity.
40 x 1.7cm
x 50cm
I am the last person you should ask what the time is, ever. This artwork is part of my twenty in twenty days and the entire time I consistently gauged the time wrong which affected the project. While brainstorming idea’s I reflected on how I’ve encountered people who are sticklers for time, down to the minute. The kind who think being five minutes late is late, I’ve definitely been grilled by these people because they explain they think it’s out of disrespect for them. So I felt like painting a visual of what time looks like in my world vs what it’s probably like in theirs. I’m the left… and sometimes my total mess happens to throw a little shade on their blocks. It’s not intentional, my blocks are a mess all the time and sometimes there’s collateral damage. I find it vein when these people walk around thinking people bad with time are out to disrespect them. The artwork was slightly rushed. This artwork is one of my hand-stretched ones, sold with hooks ready to hang and a certificate of authenticity.
40 x 1.7cm
x 50cm
This painting is a reflection of Australian politics in 2024. I decided to complete this artwork during one of my 20 artworks in 20 days challenges so it’s not my best work, however I didn’t enjoy looking at Hitlers portrait and I didn’t like looking at Albanese’s any more. So I’m glad to not have spent too much time on it. This artwork is one of my hand-stretched ones, sold with hooks ready to hang and a certificate of authenticity.
86 x 3cm
x 64.5cm
Recently I watched a Youtube video where the creator joked about Jesus and from there I came to the conclusion there aren’t enough Jesus paintings. All the actual Jesus paintings I’ve seen are from the 1400’s and earlier, I also wanted him to be a hippy, so the new owner can be in a mood then look over at the artwork and think “What would Jesus do?”… This Jesus. While creating the artwork I learnt that there are sects of religions that follow the bible who allow icons and some that don’t. Then I went a step further for a new artwork to visit a few different religious places of worship and found that some religions take it seriously and other just say they don’t have icons, but seem to have them there in plain sight. So this is an artwork for the Jesus lovers who allow icons and want a real artwork, made with love and definitely not a print (prints of paintings… my own personal form of blasphemy). This artwork is one of my hand-stretched ones, sold with hooks ready to hang and a certificate of authenticity.
86 x 3cm
x 64.5cm
Shortly before painting this artwork I adventured to the NSW Gallery and admired the skill in the historic artworks that depict clouds, that alongside an installation that reminds me of Khazad-Dum and the dragons castle in Shrek. When I’m in a place like this, with pillars everywhere, there’s a specific atmosphere that comes along with it so I wanted to convey that with this artwork. This artwork is one of my hand-stretched ones, sold with hooks ready to hang and a certificate of authenticity.
40 x 1.7cm
x 50cm
This artwork follows one I created in 2019, ‘Corporate’. I really like it, even the version I can colour in in my colouring in books. The artwork also follows on from my other artwork, ‘Trauma’ where the universe just dumps paint on you and you need to grow through it. When I worked in corporate I hated it, I was rapidly wasting my life being a puppet for people I swear are incredibly miserable. Selling my soul… Quite often people who work nine to five tell me about what’s really grinding their gears at the time. Work’s always the focus of their attention and never positive, then you hear about how team mates throw each other ‘under the bus’. It’s a total mess. I originally named the artwork “Corporate Mess” painting a continuation of the previous artwork, just zoomed out, hen decided to name it “2”. This artwork is one of my hand-stretched ones, sold with hooks ready to hang and a certificate of authenticity.
40 x 1.7cm
x 50cm
I think history will look back on COVID the way it looks back on the Holocaust, with a union on governments as opposed to Hitler running the show (and remember, there was propaganda from the time too). I wasn’t against the vaccines but I was hesitant and definitely put it off with the sole reason being that it couldn’t possibly have been tested on childbearing aged women and the offspring. The Zika virus is what came to mind. However when I specifically asked how it could affect reproduction I was told it’s safe. Later on I watched ‘Died Suddenly’ the documentary on the actual clots humans are getting and in it showed that Australian birth rates plummeted shortly after we were campaigned to get the shots. I then decided to look it up myself and it was true, it’s now late 2023 and ABS website still hadn’t declared still births and the birth rates dropped. The website specifically said they’re restructuring how to present the data, and if you know stats then you know that stats are the easiest way to factually present false data. I felt personally betrayed on this one. So I decided to make a painting on something I don’t think we’ll really noticed until the statistic dip reaches an age where they were to begin interacting with society. In my artworks I use cacti to represent people so the trend continues here, however I chose blue because I wanted to make them like water, but also a night before a friend of mine died I had a dream that he went around saying bye to everyone and he had this incredibly bright blue tie on. So that’s where the death blue comes from. Half way through painting I decided it’s better to blind fold the baby. This ones for the babies that didn’t make it. This artwork is one of my hand-stretched ones, sold with hooks ready to hang and a certificate of authenticity.
40 x 1.7cm
x 50cm
I find still life an interesting topic of art, it’s mostly hit or miss and I’m yet to find one in-between. A while back I painted a few satire artworks on still life and vases (‘Vases for Decor Purposes’ or ‘Fruit Bowl’, I think it’s fun to play with the genre so I began this artwork ready to paint some very detailed still life and then ended up wanting to add movement with a parade of horses running through, they swim out of the still life and dive back into it. For some of the artwork I wanted to focus on depth and on other days I wanted to make the shadows not make sense. So this is the result of this still life artwork. I hope it’s a hit for you. This artwork is one of my hand-stretched ones, sold with hooks ready to hang and a certificate of authenticity.
41 x 1.7cm
x 41cm
I don’t like abstract art. The fact that people use the word “abstract” in so many situations where it doesn’t make sense bothers me, people have said “It’s so abstract!” when looking at my artworks… There is nothing abstract about my paintings, until now. Adding to that I’m upset that there are many decor artists calling themselves abstract artists in order to be treated as a successful artist in the view of sales, however in my point of view it’s very easy to sell decor. A real artwork needs time to be considered before purchasing and speaks to the art lover… Something entirely lost on decor. No, you will not see me throw paint or resin at a canvas for sales. I may however, do it as satire. Since the word ‘abstract’ bothers me so much I decided it’s time I make a real abstract artwork. One where I paint what I see in the form of shapes that don’t necessarily form an object where it would result in a consensus on what it represents, the definition. I painted each item with intent, here lies an apple fallen from an apple tree on a sunny day and music plays. I also definitely want to know what other people see. This artwork is one of my hand-stretched ones, sold with hooks ready to hang and a certificate of authenticity.
50 x 1.7cm
x 40cm
I’ve noticed western society lives in a culture where people act like they’re on the edge all the time. The Karen. People going around exaggerating any ordinary situation into the worst possible obscure outcome then using it as an example to virtue signal how great they are to want to avoid this potential danger. It’s odd behaviour and it’s contagious. So I painted these people as if they’re blow up toys, all floating around, bouncing off each other. Out the window though is the real world with a little barbed wire in the way. Which is of coarse a sure instant death and much safer to stay crammed in the room daydreaming about potential fears. I also wanted to paint this idea using blow up toys not only as a fitting metaphor but also a personal challenge to see how I’d go painting these. This artwork is one of my hand-stretched ones, sold with hooks ready to hang and a certificate of authenticity.
51 x 1.7cm
x 25cm
Before this artwork I finished a painting named ‘My Bird Shit’s All Over Naomi’s’ It’s a shot at a woman who calls herself and artist and used the guise of virtue signalling to act racist and create problems for me. I used art to vent my frustrations instead of going online and starting some sort of battle with her. This is what I really like about art, it can be used in so many ways and one of them is a tactile response to real life events. Rappers are known for doing his, Eminem, Kanye. I think it’s funny… Crafting an artwork that makes someone reflect on their actions, or better yet, left in a position where the only worthy response is through art. So I created an artwork that I really wanted to put plenty of detail into now that I’d finished my 80 artworks project. I painted a ditch with a maze like arrangement of pathways fenced around to say “Hey, this is my space, stay out”. Inside, if you can find it is a person walking. They didn’t make it across to the other side. I painted exits that don’t really make sense like a large doorway as if it reaches the sky… but this entire space is underground. Stairs that lead to stairs, a hidden door way and so on. The thought behind the artwork is, don’t enter the labyrinth of an artists domain if you can’t respond using your talents. I also think artists should use their skills more often to make criticisms instead of playing into minority themed art to get ahead. This artwork is one of my hand-stretched ones, sold with hooks ready to hang and a certificate of authenticity.
My Bird Shit’s All Over Naomi's
40 x 1.7cm
x 30cm
This artwork is an appropriation of a 17th century Swedish leading artist David Klöcker Ehrenstrahl’s 1670 artwork ‘Negro with Parrots and Monkeys’. When I saw this artwork originally I really enjoyed the composition and expression used. However we live in a cancel culture where even in the most fitting situations we aren’t allowed to mention a growing vocabulary of words purely because someone else has repeatedly used them in a derogatory manner and therefore it’s assumed all uses of the word are derogatory. “The asian girl over there” for example, is now considered a racist comment instead of describing the person you’re referring to. I feel as if I’m not allowed to tell anyone about the original artwork, it’s now considered racist despite portraying the opposite of how we now associate the word, negro. By appropriating this artwork I’m giving the original artwork a new platform to be seen, we shouldn’t shun art history out of fear of using a word in the most appropriate context and being cancelled. I could have named it “I’m not allowed to title this artwork” but I don’t believe that would have reflected the original enough or even conveyed the point I’m making. I have two other appropriations and they’re each titled referencing the originals. I did think about just appropriating the artwork into my own style, surrealist and bold colours although after starting I changed my mind and tried to ring true to the thin and many layers artists of the time would have used. Putting censor bars and staying true to the style seemed more appropriate to my goal. The approach to thinly layering paint didn’t sit well with me and I ended up stopping this to paint a massive artwork in my own style. Toward the end of this artwork I ended up rage quitting because I felt like it took too long. Had I isolated more time in the first week of this artwork then I would have stayed interested in keeping it realistic. I wasn’t able to perfectly match the perspective. This artwork is one of my hand-stretched ones, sold with hooks ready to hang and a certificate of authenticity.
Wedding Portrait Practice 1 Acrylic Painting
57 x 0.5cm
x 36cm
I recently saw a TikTok video of what people considered a really shit wedding portrait. This is news to me that artists are hired for an extraordinary amount to paint live! I thought I’d kick ass at this and want to get in on it so I began busking to practice in front of people. If you watch the time-lapse on my time-lapse YouTube you’ll see I do the first two hours live, there’s a two hour limit on site. Since this is practice I’m just selling it cheap. It’s the first of five. Hopefully a couple out there looks like this! Acrylic on cardboard and sold with a certificate of authenticity.
41 x 1.7cm
x 41cm
Humans are a communal species. It’s a fact. In the past few years I’ve noticed the increasing hostility in the community, and I’m still figuring out whether it’s the times or whether that’s just what it’s like once you’ve settled into being an adult… The veil of everyone putting on a nice front being gone? Either way, I find it incredibly ironic. I look at nature a lot and see how they all work together. I was watching some birds that seemed to be on the same team but wouldn’t share the food I threw at them. One was just too dumb to recognise the extra piece it put down was exactly what it’s chasing the other bird for. It’s funny that they’re hopping around together but also protecting their bounty like Gollum and his ring. It’s like people but I think they’re trying to keep their pride instead of a piece of food. So I painted a bunch of jolly looking birds held together by barbed wire. The original plan was to have feet but it didn’t work out, so I mimicked my ‘Flock Party’ painting and included balloons too. The feathers fly about like they do in a bird fight and the intertwined barbed wire drips blood. This artwork is one of my hand-stretched ones, sold with hooks ready to hang and a certificate of authenticity.
41 x 1.7cm
x 41.5cm
I was listening to ‘Another Brick in the Wall’ and wanted to paint a wall of birds that tesselate like bricks. It could just be my location, surely everyone in the world isn’t like this, but I never meet anyone following their dreams, everyones doing what they’re expected to do and I get an earful pretty often on why their job or day sucks. It’s become a novelty. From that thought I painted a wall of birds, and title it “Where are you?” I want people to see the title and answer the question, where are they? I answer it by saying I’m not there. Some people might decide they like one of the birds more than another and decide that’s where they fit in. This artwork is one of my hand-stretched ones, sold with hooks ready to hang and a certificate of authenticity.
40 x 1.7cm
x 50cm
Everyone probably agrees that there’s a rise in mental disorders alongside technology. Every now and then I meet someone who brandishes their diagnosis collection like medals, then go a step further and tell me what I am… Plot twist, I’m nothing, I’m a perfectly healthy young woman and that opinion needs to step right back to where it came from, it’s inappropriate behaviour. What I’ve understood so far… These people are using articles that show up on their first page of a, potentially bias, Google search which include phrases like “13 reasons you’re”. Or YouTube videos of someone who did that for them. These aren’t thousand page studies, or books written by psychologists but more and more people walk around as if that’s what they’re equipped with. I found one of these people particularly jarring when they had to be correct, so I questioned it and ended up with this artwork. I began painting this artwork as a man then it ended up being a woman because of paint logistics (check out the video on that one), but the concept overall was to paint books as eye lasers. As if the person who’s shooting out diagnosis’ is using their new found opinion as lasers out to get you. I painted the lasers as books since there’s no actual books going on here. If I were being socially confronted with someone who read studies I’d have taken a different approach and painted someone throwing books, so that’s where the laser books idea comes from, empty, like the weight of the opinions being thrown at me. Underneath I left the ground bare from grass since it really felt like these interactions needed to leave the person correct at all costs, no friendship will be left behind if they’re wrong, no life for anything new to grow. I also tried painting the head as a huge statue in the distance being held up by the tree, I’m not sure I hit the mark though. This artwork is one of my hand-stretched ones, sold with hooks ready to hang and a certificate of authenticity.
86 x 3cm
x 64.5cm
This is an artwork I recently made while busking, I decided I wanted to paint busking, while busking. The pathway is the people passing by, the water is the fountain behind me and I wanted to turn the crossing into thoughts (of bubbles). The goal was to incorporate ideas from old artworks like the water from, ‘Unexpected’, the crossing from ‘Crossing the Desert’ but to my surprised I thought up a new idea while painting in front of people and decided to put the cowhide pattern on the bubbles. If I were alone painting I would have ventured further into this idea so expect it to pop up in an artwork soon. A woman didn’t read the room and sat to my right for longer than I liked and that’s why the right is more bare than the left. I’ve decided not to varnish the artwork as I’m not sure if I want to paint over it since it’s made of acrylic and I prefer oils. The artwork’s concept was also compromised due to busking conditions so it’s not as finished as I’d liked. Video of the busking adventure on my Patreon if you’re interested! There’s no timelapse of this artwork but there will be an artventure video. I’ve also decided that this is the first of an idea I’ll work on for the next year, one budget friendly artwork a month. I price my artworks so people won’t feel compelled to throw them out when their decor changes (and increasing skill), so if you buy one of the budget friendly artworks please show the same respect as if you bought it for $700. The rest will be on cardboard, like Edvard Munch’s Scream. This one will be varnished on sale so expect a week delay for postage, it’ll be sold with a certificate of authentication and ready to hang.
40.5 x 1.7cm
x 51cm
Before making this artwork I made a digital artwork where I first created a land of spring animals. I really liked it but thought that I could do better painting it since fur is a tricky game on a computer by manipulating photos. So this artwork is mainly an exercise of skill. I also wanted to create an artwork with movement so that’s where the idea of the two birds crashing into each other came from. Recently I also painted ‘Thinking Things Up’ where I painted some horses in odd positions, falling, so I also continued on from that idea including the pink horse. Overall I wanted to paint like my digital artworks so I included my moon balloons. By the time I finished the artwork I couldn’t decide on a concept. When I look at it I see a world of spring animals, like the intent with the digital artwork as well, I just don’t have deep meaning for this artwork like the others. Either way, goals achieved! This artwork is one of my hand-stretched ones, sold with hooks ready to hang and a certificate of authenticity.
40 x 1.7cm
x 50cm
I recently entered the pyramid rabbit hole, long story short, these are not tombs. It began as I find other peoples point of view interesting so I let conspiracy theories (or just regular theories that the mainstream labels to lower their credibility) enter my YouTube feeds and I think it included a mix of my electronics searches because I came across a pyramid generator theory by Chris Dunn. The entire topic is fascinating and has merit so I don’t think my painting reflects all the ideas I came across but I wanted to paint something pyramid. One point that I want to share, through art, is that we seem to under the mainstream impression that Egypt has always been a desert but there’s water erosion marks all over the Sphinx. Water plays a big part in a lot of the science explaining alternate histories. The pyramids generator theory is pretty complicated but I started the painting when learning about the aquifers part of the theory which is the very beginning of the generator theory, so I painted the pyramid of water. I also wanted to reflect two older artworks named, ‘Priorities’ and ‘Priorities 2’. The artwork wasn’t very planned out but as I continued to paint I put in plenty of effort into the spikes, also referencing my recent artwork ‘Thinking Things Up’ I learnt about the mystery of the tunnels that lead under the Sphinx so I added those into it. At some point I wanted to add more, then another point I decided to keep it simple and make more artworks to share the ideas. This artwork is one of my hand-stretched ones, sold with hooks ready to hang and a certificate of authenticity.
40 x 1.7cm
x 50cm
I read a book shortly before painting this painting, ‘Genius, The Natural History of creativity by Hans Eysenck’ and on page 127 I read this line; “Genius is only found in males (for whatever reason!). Illustrations abound. In the list of geniuses studied by Cox, (1926) there are no women.” Let’s take note of the somewhat surprise from Eysenck as if he alludes to the reason actually being gender. So I’ll take a moment to elaborate the times. Women only won women’s rights in the 60’s and I doubt it was an easy road after that, sexism is still evident deep within culture so I don’t see women in the 60’s suddenly being accepted into jobs automatically without prejudice. The book itself points out that the definition of genius requires eminence in the field of your career. Women weren’t allowed careers so there you go, mystery solved. Even though another 60 years has passed we need to take into account that’s just your grandmother, or mothers generation who fought for equal rights and I bet there were some too busy raising young children to take it seriously. So you have your generation to be the first without prejudice in obtaining a job and on your way to the definition of genius. I personally argue it’s not a fresh start as in male dominated careers women report others having the opinion they won the job just please the stats and don’t receive the same respect amongst colleagues. As I read on it seemed as if the women who were eminent such as Marie Curie or Emily Dickinson must have just been considered very good. So the prejudice doesn’t just lie in not being able to find avenues to become eminent, but then being recognised as eminent. Following that thought I decided to whip out a female Einstein. She wears his jacket and the buttons lie the way a woman’s jacket does. That subtitle on page 127 named “Gender”, seems to have a misprint as I read “Prejudice in gender”. This artwork is one of my hand-stretched ones, sold with hooks ready to hang and a certificate of authenticity.
30 x 1.7cm
x 40cm
One day I was colouring in my colouring in book and felt an ant crawling on my hand, I then looked again and it was gone. You could say it jumped off or something, but I went down a thought trail and wondered if the ant was ever there in the first place? I had just read a book, ‘Genius, The Natural History of Creativity’ by H. J. Eysenck which explains that studies show more creative people tend to sit closer on the scale to psychosis. So wondering whether I’m immune to this trend was on my mind, if I am, am I not even that creative? Is the creativity a hallucination too? I continued the thought alongside this fresh new insight on psychology, it’s possible I imagined the ant… It’s possible I’m imagining everything around me. You could be insane and never know it. I shared the thought with a friend, she added we might not even be friends and either of us could be sitting there alone talking to ourselves. Then you add the reality that reality is just warped to your perspective and what you engage with. So if nothing’s real, then everything’s real and there’s no such thing as anything. From there I decided to paint the ants. I painted my hand but they’ve opened up a rabbit hole for me so I painted holes in the hands where birds fly in and out, like the birds in my artworks. I decided nothing’s real so the table turns into an ocean and some boats seem to be on struggle street knocked over. Then you’ll see that turns into a wave of water and travels into the distance. I tried making the room warp at the edges and the clouds sit as a pendant inside. The birds on the window are a reference to my digital artwork ‘Cockatoo’s at My Window’ This artwork is one of my hand-stretched ones, sold with hooks ready to hang and a certificate of authenticity.
25 x 1.7cm
x 38cm
This is an artwork I wanted to paint having recently seen a much older artwork ‘Personality’ and wanted to create a new one with the same spots. From there I painted a window and felt like painting someone on the other side looking in. On the inside I continued a very unexpected scene with the bird and light from the spots. While painting it I wanted to paint the idea of peeking into someone else’s thoughts or point of view, only after I finished the artwork I managed to put the idea together verbally and this isn’t my artwork on conspiracy theories (one on the way) but I’ve decided to look into many conspiracy theories as I find them interesting. So it’s peering into another world that exists alongside yours but it may be unsettlingly different. This artwork is one of my hand-stretched ones, sold with hooks ready to hang and a certificate of authenticity.
80 x 3cm
x 30cm
In 2021 I shared an artwork named, ’Chocland’ which sold quite fast. A few people mentioned it when I discussed what artworks to include in my next colouring in book edition. A few weeks before completing this artwork I received a commission request and the week prior I’d coincidentally shared an artwork named ‘Commission’ expressing my disinterest in commissions. So naturally I said no, however when someone requests one I ask what they saw in the original artwork and to share their views. Then I’ll make something after a little research and if they like it, it’s up for grabs. If not, we all move on. I was told that the artlover saw synthwave in the original artwork and appreciated how unique it was in terms of the description of a commonplace object. They really enjoyed the composition. Sometimes an artwork takes you somewhere else, and if that’s what this is for them then I wanted to play on that instead of conveying a concept. I had a rule, red or green sky and no pears. If you watch the making video of this artwork you’ll see I began with green aiming to play on my recent artwork ‘Surrealists and Psychology’, then after talking to someone about this new artwork I changed it to red. That was probably a positive turn of events doing something entirely opposite to all except one artwork of mine, ‘Cheese’. Someone mentioned it’s not Synthwave without the car, I tried looking up which specific car but it seems to vary. Instead I added a reference to a car I once owned which I lined with indicators. I added the typical block sun, but dismantled. I’m personally always listening to 80’s rock instead of 80’s Synthwave and as I created the artwork I watched the Scorpions ‘Send Me an Angel’ with the red sky and square mountains so I added them as a sneaky link to a different 80’s world, with a tiny guitarist on top. I also have a few artworks synesthesia where I link shapes to sounds. During my hunt I found the beats consistent so I placed a row of cacti on the chocolate squares. Lasers that reflect the typical Synthwave blue triangle and just as I wrapped up the atrwork I learned the art lovers name so I found a reference in the Synthwave world and added it in. I did add a pear… Watch the video for spoilers. This artwork is one of my hand-stretched ones, sold with hooks ready to hang and a certificate of authenticity.
60 x 3cm
x 60cm
This is the first artworks I painted after my 80 artworks in 79 days. After that challenge I had a new way of managing my time which allowed me to focus on the details of my artworks more than before. The idea is to create an artwork purely based on imagination instead of making a point. I also wanted to paint an artwork that I couldn't easily do with a computer. I began this artwork as a challenge to create a painting similar to my digital artworks as my digital artworks have a different style to my paintings. I've tried this many times and it's something I haven't mastered. This one however turned out much better. I believe there are aspects here that I couldn't have done with a computer, as my brother once said "you can do anything with paint, but you can't on a computer". I find this to be true. I love these spiky waters I first created in my painting, 'Devils Lake', and want to make more. This time without a harsh context but an unknown substance as the topic. From there I intended to paint the rabbits floating out of the spikes in bubbles. This probably didn't convey. Rabbits because the 80 artworks felt like a total 11 week long rabbit hole! I intentionally wanted to paint horses in positions you wont be able to photograph, then merging into the fabric of the boat where a face hides (the head of your imagination) and the boat travels through dropping fabric that resemble limbs of the statues I painted in the past. This artwork is one of my hand-stretched ones, sold with hooks ready to hang and a certificate of authenticity.
30 x 1.7cm
x 40cm
Sometimes I find myself hanging around people who are very preoccupied with whatever event they’re planning or mediocre activities like who they’re dating and it’s hard to maintain an actual conversation that would still be relevant in years time, like how video games improve hand eye coordination, or the pyramids. I remember talking to someone and when I brought up something less surface level she’d say “mhmm” and not add to the thought. It’s hard to find like-minded people so I painted a thinking statue, between two surfaces, I like to see it that one is filled with the faces of people who do the 9-5 and their conversations don’t extend much further than their work dramas, very important to them, but still surface level. Then on the roof it’s another perspective where there’s people who think they’re entirely different to the ones following life’s expectations but still aren’t digging deep, the topics of conversation still revolve around why this isn’t happening or that doesn’t work. In the middle the statues thoughts are clouds locked in bubbles, floating away. This artwork isn't one of my hand-stretched ones, sold with hooks ready to hang and a certificate of authenticity.
Atheists Make the Universe Cry
30.5 x 1.7cm
x 23cm
I’m minding my own business a lot of the time. This guy who wasn’t felt like stirring the pot so I made an artwork with the following thought. My Bumble account clearly displays that I’m interested in astrology, it eloquently counteracts the motorbike so the guys interested for the wrong reasons tend to be scared off by the astrology. A guy one day thought he’d take that into account and begin arguing at me… At. He sent photos intended to offend any religion but he didn’t understand that astrology isn’t a religion. So it felt like arguing with an idiot since he had no idea what he was so against, repeatedly emphasising he’s an atheist. After that I really wondered, why are these atheists so insistent on converting people with beliefs, they’re trying to use reason but faith isn’t based on reason… It’s purely belief so you can’t argue with science. The thought then continues to where you see this artwork, people who truely believe in something have a sense of everything being fine, and just a bit rocky on the way. I feel like I can blindly follow my gut knowing my career will work out because I believe the universe has my back. So how are these people living their lives if they don’t have any faith that they’re here for a reason. I painted a brick path leading into a ditch, behind it a rose coloured glass wall where the people who do believe make the leap and land. Tear drops are scattered everywhere around the landscape, the universe is crying. I also believe that it’s important to be kind since we’re a communal species and literally work together to continue living. If someone’s going around mindlessly attacking others, intending to shatter their sense of purpose the world is affected through a chain reaction. So this is the atheists making the universe cry. This artwork isn't one of my hand-stretched ones, sold with hooks ready to hang and a certificate of authenticity.
32.58 x 1.7cm
x 26cm
I was listening to a video about Magritte one day and the narrator dropped the comment that surrealists tend to be interested in psychology. I agree with that, I’m a surrealist and I find it fascinating how people act, not in a pop-psychology-internet-article kind of way, in a way that I’ll borrow books that are referenced in uni degree’s and understand you can’t just go around diagnosing people. Time is limited for this activity though. A few years back, around 26, I learnt that creativity is the brain making connections between parts of the brain. Where other people who aren’t creative don’t make those connections. Until I learnt that I genuinely believed people were being lazy when they’d say things like “How do you think of that?”… In my mind, you just stop and think for two seconds, get a grip. Then I continued on and learnt about synesthesia and have a personal theory that’s just intense creativity. All very interesting. Then that comes to the art, just an extension of how I think and representative of how I see things. So here I painted my thoughts and ideas falling through the roof of my mind and entering the real world. The items that represent my ideas then begin to die, “How high are you?”, “It’s so abstract!”. There’s also a reference to a digital artwork I created. Some hands reach out wanting to share the ideas. People don’t tend to look at the artwork and guess what I’m conveying with it, of coarse! That would be quite a party trick, like reading my mind. But the wonderful thing about art is that everyone sees something individual in each artwork and they personalise it. It becomes a lovely plot twist that the artworks enter the real world to die, then rebirth in a new way for each individual. I find it so interesting that people break down historic artists artworks and label what they were thinking, without descriptions you just don’t know… Bosch. This artwork is one of my hand-stretched ones, sold with hooks ready to hang and a certificate of authenticity.
32.5 x 1.7cm
x 24cm
I think by this point in time we’ve come across someone who’s big on over-correcting and being over-cautious to the point where all they do is sit still and watch mainstream media then spiral into the panic that they’ve set up for the week. Life really isn’t anywhere near as dangerous as people expect, it’s pretty mediocre. I recently had to purchase $20 million insurance to sell my colouring books at the local park, then so did everyone else which added up to $840 million cover. That’s overkill. I Brought this up with a few people and some saw how ridiculous it was, others began thinking about the worst case scenario and expected it to play out, they wanted me to believe that were a possibility. As if Elon Musk or Jeff Bezos is hanging around the park and they die, at my expense. This is their safety zone, don’t exit the safety zone, you will die. Don’t live your life, you will die. This artwork is one of my hand-stretched ones, sold with hooks ready to hang and a certificate of authenticity.
60 x 3cm
x 34.5cm
I hate commissions. I feel like a puppet when people ask for them, they always want something I’ve already created and usually available but they want to tweak it. I made one for a woman who promised she’d let me create an artwork, then didn’t, she turned it into a design and didn’t understand that paint doesn’t work like photoshop. I’m really disappointed in the outcome due to her changes. I should have left the artwork and told her to take it or leave it. That’s my perspective. Working off that, this artwork is the representation of a commission. I painted ‘The Nightmare’ by Henry Fuseli, on on side and ‘Self-Portrait in a Straw Hat’ by Elisabeth Vigee Le Brun, framed next to a pair of scissors. The portrait artwork references how the person requesting the commission only wants to show off that a particular artist created it, it’s cut from the canvas of ‘The Nightmare’ because they’re picking and choosing what parts from the masterpiece they want to keep and then making changes. This is why I believe a commission isn’t art and I won’t be a puppet of talent for you. You are not an artist, if you are, do it yourself. Below I painted red dripping from the scissors which comes from the red cloth of ‘The Nightmare’ then the hand of the artist barely hanging on to a thread from the Self-Portrait…’. This artwork is one of my hand-stretched ones, sold with hooks ready to hang and a certificate of authenticity.
51 x 1.7cm
x 41cm
While watching a video about the depths of astrology I noticed one of the astrologers I respect dropped the word “magic” a few times. This lead me into a rabbit hole learning that there’s people who genuinely believe in magic. Not your typical hocus pocus that you see on TV (probably mocking what I’m learning about) but essentially working with the energy you have, as in you can’t wish yourself up to be a billionaire. I found it interesting. I found it more interesting that these people keep to themselves, essentially the reason you wouldn’t realise you’ve come across someone who believes in magic. I continued on to watch a discussion about the Picatrix. Long story short, I like these people. Far too often I’m confronted with strangers who have nothing better to do than insert themselves in my life and run a muck. So I really appreciate that these people who are into magic keep to themselves. I painted this thought as a row of cactuses, I like to represent people through cactuses. They’re all doing what they do, in this case expected to line up, but the one into magic lines up and focuses on it’s own agenda. This artwork is one of my hand-stretched ones, sold with hooks ready to hang and a certificate of authenticity.
53 x 3cm
x 41cm
This artwork is a sequel to the painting I shared before this one, it’s a horse representing a human seeking out a diagnosis in order to feel whole. This is the horse with its diagnosis, the horse proudly stands front and centre showing off it’s new skin. The previous artwork showed just a skeleton with cactuses in the background, this time, since I like to use cactuses to represent people this ones turned full cactus instead of regaining the horse shin showed in the previous artwork. Instead of the items in the landscape forming a slow progression to being organised this horses environment have everything perfectly in check. The rain falls perfectly across the perfectly spaced clouds and perfectly placed plants across a perfectly wavy ground. This horse is delusional, you can’t organise life so perfectly and it’s not a horse anymore. I placed a hidden bunny in the background since I was deep in the art making habit hole at this point in time. This painting is one of my 80 artworks and a challenge to keep within the time frame! This artwork is one of my hand-stretched ones, sold with hooks ready to hang and a certificate of authenticity.
76.5 x 3cm
x 51cm
I partially painted it out of annoyance that I was asking someone to be respectful and they turned the situation around on one of their collection of four mental illnesses (a well functioning human in society). I decided to paint this artwork during my 80 artworks as I began to take note of how there’s a trend to label all quirks or even human nature as a mental disorder… Hypochondria in a nut shell, although the general mass doing this don’t seem to recognise this. Since the movement to become accepting of mental illness turned into a movement to encourage it. If I really wanted to “have” a mental illness I can rely on the trusty movement and a broadening definition to psychiatrist hop until I get that Pokemon. I thought up the idea to paint a horse skeleton and one hoof, the horse brandishes the hoof as if it’s proud and the rest of the horse isn’t complete unless it wears the skin of a mental illness, “Look at this part of me, I’m such a novelty”. At this point in time I’d painted quite a few cactuses pretty well and wanted to include them as a symbol in the background. The left one flops over because you haven’t watered your garden being so distracted. The middle one stands tall hidden behind the horse and the last one is organised into tiny cactuses, evenly spaced, floating up into the air. These remind me of the environmental expression of a mental illness where your items are where they’re supposed to be and need to stay exactly as they are. The water also plays in this left to right timeline, the left needs some attention, you need to pour the water properly. The middle turns into the horses soul and evaporated then the right is well organised dripping like rain over the clouds. I began the idea of a stripped skeleton before looking up what a horse skeleton looked like and to be frank I didn’t think they’d look so odd. I’d started the concept and ran with it. There are more easter eggs in this artwork for you to decipher. This artwork is one of my hand-stretched ones, sold with hooks ready to hang and a certificate of authenticity.
26 x 3cm
x 40cm
This is the second last painting of my 80 artworks project, I aimed to paint something simple since I was low on time but it also fit into the concept very well and ended up being one of my favourites from the lot. Before creating the artwork I looked at my website and came across a painting I almost forgot about ‘Obedience’, a painting with a dusk purple sky and bees buzzing around in bubbles. I wanted to create something similar. The concept was influenced by my project and how my life is so different to other people (it’s part of my job to stop everything and intensely create art for 11 weeks straight), they’re too busy doing the “This is what’s expected of me” to stop and wonder if they’re blindly flying through life in the bubble caught in the wind. Do you genuinely control the direction your life is going? I also wanted to channel the style of my digital artworks, a challenge I’ve been working on as I find it difficult to have the two genre’s overlap. I believe this artwork really did a good job with that. My digital artworks have moon balloons in them, the moon also represents your emotions in astrology so I definitely put a moon in there. This artwork is one of my hand-stretched ones, sold with hooks ready to hang and a certificate of authenticity.
45 x 1.7cm
x 60cm
This artwork is a thought chain reaction when watching the ‘Estranged’ Guns N’ Roses music video. I noticed Axl Rose is wearing a Manson top, then I looked at the timeline of Manson’s peak infamy, the music video date and so on. Manson also had an interest in music and on ‘The Spaghetti Incident’ GN’R made a cover. They copped criticism for this revolving around the topics of how could Axl Rose wear the Manson top, then on top of that do a cover, the critics believed it’s making Mansons crimes look like an inviting thing to do, if very talented rock stars then wear your face. I don’t really see it that way, the Manson face logo is aesthetically pleasing and as someone who’s been a designer in the past, it’s clear that Axl Rose didn’t commission the top, it already existed. The song also already existed and GN’R is known to do covers in general. Then I continued that train of thought, since the design already existed then someone was already profiting off Manson’s crimes… without the criticism. I continued to think and came to the conclusion that the moment a crime is committed, someone who isn’t the criminal begins to profit, starting with the government agent that responds to the crime, then the next of kin if there’s any assets, then the journalists that choose to report on it, then the news outlets, the channels that news outlets pay to have advertising on, the assistant that gets some CEO’s coffee and all the way down to the people dabbling in LawTube. When you dive this far into the rabbit hole, how does it make sense to vilify a rock band? Everyones guilty. The artwork shows Manson’s logo made of spaghetti, referencing ‘The Spaghetti Incident’, and hands eating from it… since everyones taking a bite. When the artwork sells, I’ll grab my slice of the spaghetti pie and add to the list of horrible people profiting off Manson’s crimes. This artwork was one of my 80 artworks project and a little rushed. This artwork is one of my hand-stretched ones, sold with hooks ready to hang and a certificate of authenticity.
46 x 2.5cm
x 46cm
This is an artwork I decided to paint after a break up, I don’t do those often so it definitely came as a refresher. I found it interesting insight, especially for people who get into relationships often… How are they keeping their emotions in check and willingly diving straight back into a relationship? I really worked on making sure to keep the appropriate emotion for whatever situation. In the painting I originally knew I wanted to paint a set of cubes, compartments, and definitely including a woman letting the water pour over while the one in the box below is bothered by her arm flopping down and holding a lighter to it. Instead I changed it to have no props in most of the boxes (check out the time-lapse and artventure videos to see the progress of this). They’re all in their boxes, however the nature of some emotions naturally intervenes with whatever their neighbours up to. Since I began my 80 artworks project shortly after starting this, I included it and the detail in this artwork definitely made the project more difficult! The close up is of the best face… This artwork is one of my hand-stretched ones, sold with hooks ready to hang and a certificate of authenticity.
31 x 3cm
x 46cm
This was one of my final 9 apaintings from the 80 artworks project, I decided to paint a bird out of practicality for the time constraint and I also wanted to paint a bird, like a previous artwork ‘Flock Party’, since I haven’t in a while. One that’s in a position you’d be lucky to have photographed… only executed through painting in some capacity. I also wanted to paint something which the viewer needed to think about, how it’s hanging onto a cloud and what is the cloud to each person? There’s a small reference to that cat poster “Hang in there”. This artwork is one of my hand-stretched ones, sold with hooks ready to hang and a certificate of authenticity.
35 x 3cm
x 40cm
This is an artwork I made during my 80 and one where I decided to channel a much older painting, ‘Surrender’ which I really like since it makes me feel like I’ve teleported somewhere else. That idea, alongside also wanting to turn the sail from the other artwork into a tap, as if it’s making it’s way into this painting through a tap that I used in my painting ‘On tap’. I feel like I achieved the goal for this one. This artwork is one of my hand-stretched ones, sold with hooks ready to hang and a certificate of authenticity.
35.5 x 3cm
x 50.5cm
This is one of my 80 artworks and every now and then I decide to paint something I would have or couldn’t create through digital art. I use a few doughnuts in my digital artworks so following my ‘Watching the Boats Sail Past’ I still wanted to paint doughnuts. So I painted a woman craving doughnuts, looking into the mirror and seeing a doughnut back. Her dress is glaze and I decided to replace items around the place with doughnuts. This artwork is one of my hand-stretched ones, sold with hooks ready to hang and a certificate of authenticity.
45 x 1.7cm
x 45.5cm
This is one of the later artworks during my 80 artworks project and intentionally simple. I thought about how every generation is so different yet we all go through the same stages and one day I won’t know how to use the modern technology (that probably wont happen judging my grandma though, maybe something else). We’re all the same, so I wanted to paint a row of armchairs sliding across a hallway down toward a window all watching the same sight. I initially intended to make the chairs look worn, time didn’t allow for that one. This artwork is one of my hand-stretched ones, sold with hooks ready to hang and a certificate of authenticity.
60 x 3cm
x 60cm
This is one of my 80 artworks and I began this idea with the intent of capturing movement within a painting after looking at Wyndham Lewis’s artwork ‘A Battery Shelled’ and seeing the movement there. The artwork took a plot twist when I looked at the painting image again in daylight and thought I was looking at something entirely different. I continued creating a response to what I thought I saw. I aimed to paint a running statue catching a ball which then turned into a statue hand throwing it and I aimed for the other parts of the artwork to appear as if they’re mid motion. The artwork isn’t one of my favourites as it looks very different to my other paintings so I’m ‘on the fence’ with this one. Since I made it in October and months have passed before putting it up for sale I’m growing a liking to the result. This artwork is one of my hand-stretched ones, sold with hooks ready to hang and a certificate of authenticity.
