Cravings

$1,150.00

35.5 x 3cm
x 50.5cm

This is one of my 80 artworks and every now and then I decide to paint something I would have or couldn’t create through digital art. I use a few doughnuts in my digital artworks so following my ‘Watching the Boats Sail Past’ I still wanted to paint doughnuts. So I painted a woman craving doughnuts, looking into the mirror and seeing a doughnut back. Her dress is glaze and I decided to replace items around the place with doughnuts. This artwork is one of my hand-stretched ones, sold with hooks ready to hang and a certificate of authenticity.

Getting Old

$834.00

45 x 1.7cm
x 45.5cm

This is one of the later artworks during my 80 artworks project and intentionally simple. I thought about how every generation is so different yet we all go through the same stages and one day I won’t know how to use the modern technology (that probably wont happen judging my grandma though, maybe something else). We’re all the same, so I wanted to paint a row of armchairs sliding across a hallway down toward a window all watching the same sight. I initially intended to make the chairs look worn, time didn’t allow for that one. This artwork is one of my hand-stretched ones, sold with hooks ready to hang and a certificate of authenticity.

No Women Geniuses

$700.00

40 x 1.7cm
x 50cm

I read a book shortly before painting this painting, ‘Genius, The Natural History of creativity by Hans Eysenck’ and on page 127 I read this line; “Genius is only found in males (for whatever reason!). Illustrations abound. In the list of geniuses studied by Cox, (1926) there are no women.” Let’s take note of the somewhat surprise from Eysenck as if he alludes to the reason actually being gender. So I’ll take a moment to elaborate the times. Women only won women’s rights in the 60’s and I doubt it was an easy road after that, sexism is still evident deep within culture so I don’t see women in the 60’s suddenly being accepted into jobs automatically without prejudice. The book itself points out that the definition of genius requires eminence in the field of your career. Women weren’t allowed careers so there you go, mystery solved. Even though another 60 years has passed we need to take into account that’s just your grandmother, or mothers generation who fought for equal rights and I bet there were some too busy raising young children to take it seriously. So you have your generation to be the first without prejudice in obtaining a job and on your way to the definition of genius. I personally argue it’s not a fresh start as in male dominated careers women report others having the opinion they won the job just please the stats and don’t receive the same respect amongst colleagues. As I read on it seemed as if the women who were eminent such as Marie Curie or Emily Dickinson must have just been considered very good. So the prejudice doesn’t just lie in not being able to find avenues to become eminent, but then being recognised as eminent. Following that thought I decided to whip out a female Einstein. She wears his jacket and the buttons lie the way a woman’s jacket does. That subtitle on page 127 named “Gender”, seems to have a misprint as I read “Prejudice in gender”. This artwork is one of my hand-stretched ones, sold with hooks ready to hang and a certificate of authenticity.

The Pyramid Mystery

$650.00

40 x 1.7cm
x 50cm

I recently entered the pyramid rabbit hole, long story short, these are not tombs. It began as I find other peoples point of view interesting so I let conspiracy theories (or just regular theories that the mainstream labels to lower their credibility) enter my YouTube feeds and I think it included a mix of my electronics searches because I came across a pyramid generator theory by Chris Dunn. The entire topic is fascinating and has merit so I don’t think my painting reflects all the ideas I came across but I wanted to paint something pyramid. One point that I want to share, through art, is that we seem to under the mainstream impression that Egypt has always been a desert but there’s water erosion marks all over the Sphinx. Water plays a big part in a lot of the science explaining alternate histories. The pyramids generator theory is pretty complicated but I started the painting when learning about the aquifers part of the theory which is the very beginning of the generator theory, so I painted the pyramid of water. I also wanted to reflect two older artworks named, ‘Priorities’ and ‘Priorities 2’. The artwork wasn’t very planned out but as I continued to paint I put in plenty of effort into the spikes, also referencing my recent artwork ‘Thinking Things Up’ I learnt about the mystery of the tunnels that lead under the Sphinx so I added those into it. At some point I wanted to add more, then another point I decided to keep it simple and make more artworks to share the ideas. This artwork is one of my hand-stretched ones, sold with hooks ready to hang and a certificate of authenticity.

Tap and Cloth

$500.00

35 x 3cm
x 40cm

This is an artwork I made during my 80 and one where I decided to channel a much older painting, ‘Surrender’ which I really like since it makes me feel like I’ve teleported somewhere else. That idea, alongside also wanting to turn the sail from the other artwork into a tap, as if it’s making it’s way into this painting through a tap that I used in my painting ‘On tap’. I feel like I achieved the goal for this one. This artwork is one of my hand-stretched ones, sold with hooks ready to hang and a certificate of authenticity.

Australiana

$500.00

40 x 3cm
x 105cm

This is an artwork I created inspired by the current Australian climate in Sydney. All the surrounding bushed are burning down and the sun is red, often. At the time of painting this we were in a drought and the fires were running wild, smoke from the mountains were reaching Sydney. The burning tree being watched over by the cow represents the acceptance of how our world seems to be burning down, there seems to be no change besides throwing money in areas which aren't currently working, evidently. This artwork is oil based, is one of my hand-stretched ones and sold with hooks ready to hang and a certificate of authenticity.

Hanging in There

$400.00

31 x 3cm
x 46cm

This was one of my final 9 apaintings from the 80 artworks project, I decided to paint a bird out of practicality for the time constraint and I also wanted to paint a bird, like a previous artwork ‘Flock Party’, since I haven’t in a while. One that’s in a position you’d be lucky to have photographed… only executed through painting in some capacity. I also wanted to paint something which the viewer needed to think about, how it’s hanging onto a cloud and what is the cloud to each person? There’s a small reference to that cat poster “Hang in there”. This artwork is one of my hand-stretched ones, sold with hooks ready to hang and a certificate of authenticity.

Surface Level People

$350.00

30 x 1.7cm
x 40cm

Sometimes I find myself hanging around people who are very preoccupied with whatever event they’re planning or mediocre activities like who they’re dating and it’s hard to maintain an actual conversation that would still be relevant in years time, like how video games improve hand eye coordination, or the pyramids. I remember talking to someone and when I brought up something less surface level she’d say “mhmm” and not add to the thought. It’s hard to find like-minded people so I painted a thinking statue, between two surfaces, I like to see it that one is filled with the faces of people who do the 9-5 and their conversations don’t extend much further than their work dramas, very important to them, but still surface level. Then on the roof it’s another perspective where there’s people who think they’re entirely different to the ones following life’s expectations but still aren’t digging deep, the topics of conversation still revolve around why this isn’t happening or that doesn’t work. In the middle the statues thoughts are clouds locked in bubbles, floating away. This artwork isn't one of my hand-stretched ones, sold with hooks ready to hang and a certificate of authenticity.