25.5 x 3cm
x 91.5cm
I began this artwork with a different idea in mind, then by the time I’d finished creating my 2023 colouring in books I wasn’t passionate about the concept anymore so decided to ditch it. From there I began painting a pear as if it’s being dispensed and squished it’s predecessor, since I’m always making a point about consumerism that’s where I went. After a day I changed the layout and kept the idea although this time the pears drip out from a window and bounce over a more realistic rotten looking pear below. This artwork is one of my hand-stretched ones, sold with hooks ready to hang and a certificate of authenticity.
25.5 x 3cm
x 91.5cm
The Journey’ is the prequel to this artwork (and they’re sold separately, maybe to reunite one day). The two artworks fit together like puzzle pieces when one is rotated 180º and placed above the other, see the timelapse video to see them together. The previous artwork shows a journey and depicted at night time, this one shows the other side of the journey, not necessarily after death but another side. I really enjoy Hieronymus Bosch’s artworks and having many events going on in his artworks and I aim to incorporate that in my artworks, these two being the target of that aim. In this artwork I aimed to have two marches heading over to the first painting and included the window far in the background as well as the bird porcelain print on the tree. The rest of the hidden gems are for the viewer to hunt down. This is part two. This artwork is one of my hand-stretched ones, sold with hooks ready to hang and a certificate of authenticity.
30.5 x 3cm
x 30.5cm
This is a painting I decided to paint out of disappointment I never received any roses from a failed relationship. Although I didn’t want to just paint a bouquet of flowers, like some “décor artist”. I began with the hand reaching out and the flowers drifting off in the wind. As I painted it I did receive a gesture although it felt empty, a compensation for communication which to me, entirely exhausted my efforts, so I then began to paint the leaves closest to the hand turning into drops of blood. I did have plans to turn the leaves floating away as transparent but I grew bored of the artwork and wrapped it up there. I also have more work to do in painting flowers. This artwork is one of my hand-stretched ones, sold with hooks ready to hang and a certificate of authenticity.
61 x 1.7cm
x 76.5cm
A while back I felt sad and since the universe dumped an excessive amount of talent this way, I decided to paint a portrait of my sadness to make other people feel sad when they stop and watch the artwork. This isn’t a self portrait. Since a smile is contagious, so is everything else. I added a severed hand, the idea originally spawned from a recently sold artwork ‘The Decomposed Musician’ then I decided it’s representative of the memories that keep their grip. Floating fruit in the background representing my art goals as unfocused 3D glasses since being sad makes it hard to focus on them. Birds stuck in the wall, unlike all my other bird artworks where they fly freely and a frame around her head as women are strongly influenced to keep from confronting issues and sit pretty, until it’s too late to communicate. With the hand holding the frame in place and the vines pulling it back slightly. This artwork is one of my hand-stretched ones, sold with hooks ready to hang and a certificate of authenticity.
25 x 3cm
x 91.5cm
I really enjoy Hieronymus Bosch’s artworks, specifically how they his artworks encompass busy themes where Bosch packs in plenty of characters and ‘furniture’. A while back I noticed my artworks at the time had a centrepiece and that’s how I conveyed my idea. I’ve been working on creating busier visuals where the viewer will be drawn into the artwork thinking about each section and wonder away with that thought, creating a different experience. This artwork isn’t as busy as I originally aimed however when I reached this point I decided this is how it needs to be. On the left side I added more characters than the right as I want people to read the artwork like a book, left to right. I ended up naming it ‘The Journey’ because when I reached the end of the artwork whenever I looked at it I felt like it’s a journey, like your life journey. Nothing ever seems to go as planned and when you look back at it you end up with a bunch of mismatched and unexpected events that feel like home because it’s yours and you lived that. This is part one. This artwork is one of my hand-stretched ones, sold with hooks ready to hang and a certificate of authenticity.
30.5 x 1.7cm
x 25cm
This is an artwork I decided to create after wondering about fortune tellers and how they end up becoming one. I knew a woman who seemingly decided to become one one day, she wasn’t the most honest person so I genuinely questioned her motives. Others have their own paths, so I painted a fortune teller at an empty fair in her hut. Behind her the hut continues to stretch into the blurry distance, underneath I painted symbols of life events that could have led her to this career, they can be interpreted as the viewer wishes, although I wanted to include items that symbolise religion, time, spirits, threats, money and so on. This artwork is one of my hand-stretched ones, sold with hooks ready to hang and a certificate of authenticity.
121.5 x 3cm
x 182.5cm
In this artwork I play with psychology and gentrification. As I opened Saatchiart to upload one of my artworks another “artwork” caught my attention. This was priced at $20K+, so I clicked onto the artwork to see what majestic concept the “artist” aimed to channel. None. The listing literally said ‘décor’. I’m offended. So offended turned my offence into an artwork. ‘Simulation theory’ then kicks in and I happened to stumble across a massive canvas to repurpose for this concept. I decided to genuinely show off my talent in this piece although price it stupidly high on the online galleries and have no description, to give the impression it’s décor. I’m assuming the gallery will place it in a nice position since they’ll make a huge commission, I aim for the viewers to question the price. Leading them to see my other artworks and seeing a huge discrepancy. I wonder if the viewers will then look up my name and see this description on my own website to see I’m mocking the gentrification of décor artists and have a real description and appropriate price here (according to my level of fame). The game here is if someone ends up buying it direct, they win the game… If they go through a gallery without finding the true meaning of the artwork, I win the game. I risk being kicked off the online galleries with this artwork although that’s part of the statement I’m making. I tried painting this in 9 days although finished it in ten, because of the timeline I gave myself there’s definitely some tiny parts where I could have calculated the paint drying better so there are a few touch-ups which don’t reflect my aim to entirely show off my talent… The items in the artwork aren’t meant to have meaning however I definitely painted it with a story in mind, that’s just the way it worked out. This artwork is one of my hand-stretched ones, sold with hooks ready to hang and a certificate of authenticity.
Negro with Parrots and Monkeys Censored
51 x 3cm
x 51cm
This artwork is an appropriation of a 17th century Swedish leading artist David Klöcker Ehrenstrahl’s 1670 artwork ‘Negro with Parrots and Monkeys’. When I saw this artwork originally I really enjoyed the composition and expression used. However we live in a cancel culture where even in the most fitting situations we aren’t allowed to mention a growing vocabulary of words purely because someone else has repeatedly used them in a derogatory manner and therefore it’s assumed all uses of the word are derogatory. “The asian girl over there” for example, is now considered a racist comment instead of describing the person you’re referring to. I feel as if I’m not allowed to tell anyone about the original artwork, it’s now considered racist despite portraying the opposite of how we now associate the word, negro. By appropriating this artwork I’m giving the original artwork a new platform to be seen, we shouldn’t shun art history out of fear of using a word in the most appropriate context and being cancelled. I could have named it “I’m not allowed to title this artwork” but I don’t believe that would have reflected the original enough or even conveyed the point I’m making. I have two other appropriations and they’re each titled referencing the originals. I did think about just appropriating the artwork into my own style, surrealist and bold colours although after starting I changed my mind and tried to ring true to the thin and many layers artists of the time would have used. Putting censor bars and staying true to the style seemed more appropriate to my goal. The approach to thinly layering paint didn’t sit well with me and I ended up stopping this to paint a massive artwork in my own style. Toward the end of this artwork I ended up rage quitting because I felt like it took too long. Had I isolated more time in the first week of this artwork then I would have stayed interested in keeping it realistic. I wasn’t able to perfectly match the perspective. This artwork is one of my hand-stretched ones, sold with hooks ready to hang and a certificate of authenticity.
50 x 3cm
x 60cm
This is an artwork I decided to paint when it became clear that women are taking jabs at me for my shoes. Everyone, except Australians (with Australian backgrounds) know that Australians dress poorly. My background is Bulgarian and Bulgarians dress well. I subconsciously did what my ancestors do and dress well, despite not being raised in the country, as I grow older that involves heels. Australian women even go so far as to say to my face “It’s not normal, you’re being weird” specifically speaking about the fact that my outfit that day had been complimented with heels. It’s essentially racism without realising there’s a cultural difference going on here. I question why my shoes bother these women so much to have to insult me, so I painted them, and one day they will hang on someones wall with pride. As I painted this artwork I learnt that Mars also removed the heels off the green m&m, so I painted it under mine. This artwork is one of my hand-stretched ones, sold with hooks ready to hang and a certificate of authenticity.
30.5 x 1.7cm
x 25cm
I recently joined TikTok to share my art and a video of another creator came up where the person bragged how “this painting hasn’t sold yet” and a painting is all it seemed to be to me. In 1844 Hugh Blackburn created the pendulum painting where paint drips onto a canvas as a swinging pendulum and as the paint runs out the loops become smaller in diameter. Definitely a great concept playing with physics although fast forward a few centuries people are replicating this for the sake of replicating it and becoming sell outs. It brings me down along with the standard of art people are being sold, so I painted my own take. Pears sometimes represent people in my artworks so I painted pears in the shape of a spiral on their way out the window, commenting on the repeated process and how it may still put the viewer in a trance, no matter how many times it’s been done. I also like to see the pears as the paint drops at birds eye view. This artwork is one of my hand-stretched ones, sold with hooks ready to hang and a certificate of authenticity.
40.5 x 3cm
x 40.5cm
A while back I watched a YouTube video about the Victorian Era and learnt that the record player had been invented in 1887 and everyone enjoyed music in their own homes… Essentially the death of the career as a musician being a normal occupation, resulting in the career seeming unattainable to many. This mimics my opinions on art, so many artists opt to sell prints of a painting not thinking that perhaps if they didn’t offer that then buyers would look at real artworks (and prints of hand made artworks are blasphemous). I decided to paint an artwork similar to my ‘Cello’ artwork in terms of the scenery although chose to paint the cello as a pear beginning to rot, alongside rotting grapes and the slightly bloody hand and ear of a musician, plugged by the grape. By limiting musical artists ability to make money through their passion are you ‘biting the hand’ that feeds you? I enjoyed this artwork as I believe I pulled of the gore with tact. This artwork is one of my hand-stretched ones, sold with hooks ready to hang and a certificate of authenticity.
40 x 3cm
x 25cm
My 2022 new years resolution had been to counteract my contribution to landfill by saving items being thrown out that could be recycled at the recycling center, scrap metal or weren’t rubbish and could be sold. I ended up defeating my net zero landfill goal and saving carloads more than I threw out, and as a result it really brings me down to see piles of landfill contributions that could have been avoided with minimal effort. As I continued to see piles of “trash” I wondered what the difference is between throwing something out into landfill and digging up a hole and burying in your backyard. I can only think of one difference, convenience. If you didn’t have the option to bury your unwanted items elsewhere, would you put more effort into disposing of them properly, would this have a chain reaction on the consumer culture? I painted a fence for this, one side is your backyard and the other is the countries backyard. I painted items which don’t belong in landfill emerging from gaps in the land. Some items even with tags, just like real life. I also included dead leaves and the hole where the items fall in and out of as a wormhole. This probably wont be my final artwork on landfill, having already made on on how canvas prints contribute, although this is the one I’ve made for now. This artwork is one of my hand-stretched ones, sold with hooks ready to hang and a certificate of authenticity.
30.5 x 1.7cm
x 25.5cm
This is an artwork I decided to paint after the thought crossed my mind that no one actually owns anything, if you have a pet bird the only reasons you believe you own it is because you either formed a bond or it’s stuck in a cage. The same principle could be applied to other humans, if you’re in any type of relationship with someone you can’t claim you own them because society has labelled that action as anti-social. You don’t own anyone, you’ve formed a bond to keep them around or they’re being held hostage. On that idea I painted a bird carrying a pear with a barcode print on them. The concept of not actually owning anything seems harder to grasp with inanimate objects such as a pear, you don’t own a pear either, you tell people it’s yours and out of respect, inconvenience or fear they don’t take it from you. This artwork is one of my hand-stretched ones, sold with hooks ready to hang and a certificate of authenticity.
30 x 1.7cm
x 30cm
This is a painting I decided to paint in reference to two other artworks, ‘Midnight Snack’ and ‘Dreaming of Tidal Waves’. I enjoy painting in that style and felt like painting a dark artwork having ventured into difference styles recently. I intended on painting some form of dreaming and as I tried to paint through sleep (I’d been creating ten artworks that week) I repeatedly woke from mini-almost naps with new ideas for this artwork. Unfortunately I didn’t allow myself enough time to include all the ideas (they’re included in my YouTube artventure video though) although I do believe I managed to reach an entry level representation of waking up. I painted the clear sheet of water as the feeling of moving from sleep to wake and the deep thick, non-transparent water as the sleep. I originally planned to include my pineapple hot air balloon from other artworks although that didn’t work out so I lead the rope to nowhere. The boats tumble (your dreams) as the clear water flows over. This artwork is one of my hand-stretched ones, sold with hooks ready to hang and a certificate of authenticity.
25.5 x 1.7cm
x 30.5cm
After some indecision with the concept on this artwork I’d watched a Tom Cruise interview being analysed and the journalist brought up confirmation bias; going into your research on a topic only to confirm your opinion. So I decided to play with this idea. You may look at this artwork and see the floating circles creating a large cylinder shape, or you might see them as a flat mesh of circles pivoting on their own axis, you might even decide that they aren’t circles and some are ellipses. The next decision the viewer would make is to look for other elements in the artwork to give confirm whichever opinion they’ve set on. I haven’t included any hints to which is what, so, to mimic anyones real life research to confirm their bias on anything it’s up to you to see what’s not intentionally there to confirm what you see and the environment is the same for everyone. This artwork is one of my hand-stretched ones, sold with hooks ready to hang and a certificate of authenticity.
46 x 1.7cm
x 35.5cm
I decided to paint this artwork after I discovered creamed honey. I have bees that visit my place everyday for honey and I opted in for creamed so I wouldn't have to fight with a bee to eat my pancakes. The bee's didn't recognise the creamed version and that solved my problem which had me wondering if food were a different consistency would we still enjoy it as much? I painted a pizza as soup and wine as jelly. I feel like I still have room for improvement in executing the realness of the artwork although this is where I'm at right now. This artwork is one of my hand-stretched ones, sold with hooks ready to hang and a certificate of authenticity.
100 x 3cm
x 135cm
I'm against doing commissions however this one seemed a tad unique and I took it on, the end result doesn't look like this and I won't be showing the final result. That is exclusive to the owner and I'm very proud of the first version. The original request of this artwork were to re-create a small painting I'd made, 'Solid Choice', only larger. I changed this artwork up accordingly, this time keeping the sheet flat and having water holding it up. I included the spotty birds which feature in my artwork, 'Flock Party' to represent a rainbow which refers to a jargon term from an event in the owners life. I included a pear as my stamp on the artwork and Virgo the constellation as the man in the painting has an Irish/ Russian background which both share a Virgo rising sign. Since I've been looking at Bosch artworks lately I'm interested in adding detail in the artworks. There is morse code in this one.
25.5 x 3cm
x 30cm
This oil painting came to mind while finishing off the previous artwork where I painted in some tape. I then decided to paint an object with multiple clear items on top. This then turned into painting make-up brushes and making a thought piece on makeup. Are we using makeup to become the standard, or in some cases the choice of makeup could show exactly what they're trying to hide. This artwork is out of my element, using less contrast as I normally would and pastel colours while also challenging myself to paint transparency over transparency. This artwork is one of my hand-stretched ones, sold with hooks ready to hang and a certificate of authenticity.
45 x 3cm
x 30cm
This is a painting of my interpretation of my experience eating out at French, specifically the desert, a pear, swimming in red sauce. If you watch the time-lapse you'll see I went through a phase with this painting to create visible texture and cow-hide print. I decided to steer away from that since they didn't reflect the pear I ate. I painted the stalk as a tap dropping raspberries to fall into the sauce since it all flowed so well in terms of flavour. However I then painted the tiny pears dripping down a leaf which can also be interpreted upside-down and painted aspects of the painting taped to the wall behind yet not having the shadows match. I chose to throw in these confusing representations as I felt heaps uneasy when ordering the food all night in general. It seemed as if they were saying “yes” to my dietary requirements but not going to follow through, so I felt uneasy the entire meal wondering if I'd been poisoned. I included the tape because from the chefs point of view it probably felt like a Frankenstein version of the original meal. This artwork is one of my hand-stretched ones, sold with hooks ready to hang and a certificate of authenticity.
30 x 3cm
x 40cm
In the past I've made a painting of flowers which grow into birds. While glancing past a painting hanging in my livingroom, 'Fruit juice' I decided to merge the two and create a tree with flowers which grow into birds. Between the time I started and finished the painting I went for a run and thought I saw a street covered in petals (since it's early spring) and realised I were actually looking at feathers, most likely from a fight to the death and decided to paint the birds fighting. Since the road to peace isn't a calm one. This artwork is one of my hand-stretched ones, sold with hooks ready to hang and a certificate of authenticity.
30 x 3cm
x 40cm
I originally decided to paint a woman looking out the window with furniture floating around and as I created the artwork I decided that the room should be relatively empty and have a scene of presence at the same time which brought me to paint the chair in front of the window with a woman sitting in it as the shadow. I didn't feel like painting the corner of the room in the corner so I centred it adding to the centre focus. I did put thought into the floor although as the painting wrapped up it didn't turn out as I would have ideally made the pattern. I also chose to whip out a Magritte and paint the chair with the image of the sky on it. This artwork is one of my hand-stretched ones, always sold with hooks ready to hang and a certificate of authenticity.
25 x 3cm
x 30cm
This painting is a continuation from last weeks painting, I really enjoyed looking at the statue in that painting and decided to re-create the concept only with statues. This artwork is hand-stretched, hooks will be attached on sale and sold with a certificate of authenticity.
30 x 3cm
x 54.5cm
This year I'm more against consumerism than usual, my new years resolution is to save as many items from council cleanup as bags of rubbish I throw out. Since then I've realised that most of my trash is actually re-usable in some form (compost, local scrap metal, recycling centre). Which then translated to preferring second hand items and watching how people shop as a hobby. I painted the taps to represent the unlimited amount of items someone can buy and decided to create the first tap a human statue tap but painted the man upset and bombarded by the other taps. The buyer is the product. This artwork is hand-stretched, hooks will be attached on sale and sold with a certificate of authenticity.
30 x 3cm
x 30cm
While painting a previous painting Michael Jackson came on the radio and with the general “politically correct” vibe of western societies right now an idea came to mind to paint a spiky lake that would feel very uncomfortable to swim in. I don't believe it's politically correct to go around correcting people who've been brought up in a way that their language isn't used in an offensive manner. I painted the lake as it is because it feels like people are silenced very quickly, the swim is too spiky. I also painted the fence around it because there's no standing up for yourself with these people and I attached moons to the fence because in astrology the moon represents emotions. Since being politically correct is a great outlet to project your own grievances on others. This artwork is hand-stretched, hooks will be attached on sale and sold with a certificate of authenticity.
Nobodies Watching, Everybody's Taking Notes
40 x 3cm
x 50cm
I started painting this with an entirely different idea in mind although by the time I painted it, it turned into something else. There's definitely people seeing that I'm making art but not actually seeing how much work I do to get there so they're the birds. They're not watching and they're taking note. This artwork is hand-stretched, hooks will be attached on sale and sold with a certificate of authenticity.
46 x 3cm
x 30cm
A while back I painted an illusion so the viewer sees a vase instead of an actual vase, the artwork was purely curiosity and learning about illusions. The artwork was then later featured in a category “Vases” and they portrayed it as a décor piece. I'm against art for décor purposes so being promoted as decor bothers me. Fast forward I'd been looking at another vase painting although didn't realise I were looking at vases and thought they were oranges as vases, I decided to take that misunderstanding and create an artwork out of it. Here's my vases for décor purposes, although since I have the motivation of my illusion painting behind this then it isn't décor anymore, it's a statement. This artwork is hand-stretched, hooks will be attached on sale and sold with a certificate of authenticity.
70 x 3cm
x 70cm
When I tell people I have a rare plant or show people my rare plants I feel like they have a small disappointment seeing that it looks like an actual plant. So I decided to paint a painting as if the rare plants actually look like what people expect. This artwork is hand-stretched, hooks will be attached on sale and sold with a certificate of authenticity.
45.5 x 3cm
x 30.5cm
Prior to this artwork I accidentally attracted one bee that visited on the daily, that bee then brought it's friend and word spread and now I have a crew that spends their days on my balcony. I've heard around that bees are becoming extinct so I looked into it (wanting to feed them what they should be eating) and learnt that honey bee's aren't facing extinction at all and they're not that great at pollinating. Other bee species are great pollinators, don't make honey and can come in cool colours... I've been saving the wrong species. Here we are trying to spread awareness about bee extinction but when most people hear “bee” they think honey bee, most people don't know other bee species exist, and if we don't believe they even exist then what's the difference to us when they're extinct? That venture lead to this painting, in terms of skill I really struggled since it's so far from my style. The blue Mason Bee fights the Honey Bee for it's place in the world. I decided to paint it's wings as bubbles since this bee is fantasy to most people anyway. This artwork is hand-stretched, hooks will be attached on sale and sold with a certificate of authenticity.
40 x 3cm
x 50cm
This is a painting I started painting with an idea sparked from a painting I recently created, ‘Flock Party’, while painting this one I decided that the spots on the bird will be hidden by squares on the bag it's stuck in. I originally had the idea to paint a somewhat sequel to 'Corporate' with a plain bag and then decided to slightly pivot. I often keep my opinions to myself (during the moment) when I notice someones humouring me or so blinded by prejudice and told I can't do something, so I painted the bird as pink spots and the viewer, not you the viewer, but the viewer within the painting decides that the pink spots don't align with their prejudice and they decide to see yellow squares. So this bird is trapped in a bag of yellow squares. I think that people use prejudice as a form of comfort, despite hindering others. Your pink spots don't align with their narrative so now you have to get out of the bag before continuing your flight. This artwork is hand-stretched, hooks will be attached on sale and sold with a certificate of authenticity.
